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???±ez, Vicente, 1867-1928

"The Four Horsemen of the Apocalypse"

Periodically half of them
would clash with the other half. They killed each other that they might
enslave the vanquished on the rolling deck floating over the abyss; they
fought that they might cast their victims from the vessel, filling
its wake with cadavers. And from the demented throng there were still
springing up gloomy sophistries to prove that a state of war was the
perfect state, that it ought to go on forever, that it was a bad dream
on the part of the crew to wish to regard each other as brothers with a
common destiny, enveloped in the same unsteady environment of mystery.
. . . Ah, human misery!
Julio was drawn out of these pessimistic reflections by the childish
glee which many of the convalescents were evincing. Some were
Mussulmans, sharpshooters from Algeria and Morocco. In Lourdes, as they
might be anywhere, they were interested only in the gifts which the
people were showering upon them with patriotic affection. They all
surveyed with indifference the basilica inhabited by "the white lady,"
their only preoccupation being to beg for cigars and sweets.
Finding themselves regaled by the dominant race, they became greatly
puffed up, daring everything like mischievous children. What pleased
them most was the fact that the ladies would take them by the hand.
Blessed war that permitted them to approach and touch these white women,
perfumed and smiling as they appeared in their dreams of the paradise
of the blest! "Lady .


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