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???±ez, Vicente, 1867-1928

"The Four Horsemen of the Apocalypse"

They came from the
"mother country," and to the good Chicha were all Excelentisimas or
Altisimas, related to kings. She did not know whether to give them her
hand or bend the knee, as she had vaguely heard was the custom at court.
But soon she recalled her preoccupation and went forward to wrestle
in prayer with God. Ay, that he would mercifully remember her! That he
would not long forget her son! . . .
It was Glory that remembered Julio, stretching out to him her arms of
light, so that he suddenly awoke to find himself surrounded by all the
honors and advantages of celebrity. Fame cunningly surprises mankind on
the most crooked and unexpected of roads. Neither the painting of souls
nor a fitful existence full of extravagant love affairs and complicated
duels had brought Desnoyers this renown. It was Glory that put him on
his feet.
A new pleasure for the delight of humanity had come from the other side
of the seas. People were asking one another in the mysterious tones of
the initiated who wish to recognize a familiar spirit, "Do you know how
to tango? . . ." The tango had taken possession of the world. It was
the heroic hymn of a humanity that was suddenly concentrating its
aspirations on the harmonious rhythm of the thigh joints, measuring its
intelligence by the agility of its feet. An incoherent and monotonous
music of African inspiration was satisfying the artistic ideals of
a society that required nothing better.


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