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Ossoli, Margaret Fuller, 1810-1850

"Woman in the Ninteenth Century and Kindred Papers Relating to the Sphere, Condition and Duties, of Woman."

He was
always very careful of her, never permitting her to sing except in his
presence, and never letting her appear on the stage, unless as a mute
figure in some ballet, such, for instance, as Cupid and the Graces,
till she was sixteen, when she at once executed her part in 'Der
Freyschutz,' to the full satisfaction and surprise of the public of
Stockholm. From that time she gradually became the favorite of every
one. Without beauty, she seems, from her innocent and gracious
manners, beautiful on the stage and charming in society. She is one of
the few actresses whom no evil tongue can ever injure, and is
respected and welcomed in any and all societies.
"The circumstances that reminded me of Consuelo were these: that she
was a poor child, taken up by this singing-master, and educated
thoroughly and severely by him; that she loved his son, who was a
good-for-nothing fellow, like Anzoleto, and at last discarded him;
that she refused the son of an English earl, and, when he fell sick,
his father condescended to entreat for him, just as the Count of
Rudolstadt did for his son; that, though plain and low in stature,
when singing her best parts she appears beautiful, and awakens
enthusiastic admiration; that she is rigidly correct in her demeanor
towards her numerous admirers, having even returned a present sent her
by the crown-prince, Oscar, in a manner that she deemed equivocal.


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