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Pater, Walter, 1839-1894

"Greek Studies: a Series of Essays"

Treated as it is in the Homeric hymn, and still more in
this statue, the image of Persephone may be regarded as the result of
many efforts to lift the old Chthonian gloom, still lingering on in
heavier souls, concerning the grave, to connect it with impressions
of dignity and beauty, and a certain sweetness even; it is meant to
make men in love, or at least at peace, with death. The Persephone
of Praxiteles' school, then, is Aphrodite-Persephone, Venus-Libitina.
Her shadowy eyes have gazed upon the fainter colouring of the under-
world, and the tranquillity, born of it, has "passed into her face";
for the Greek Hades is, after all, but a quiet, twilight place, not
very different from that House of Fame where Dante places the great
souls of the classical world; Aidoneus himself being conceived, in
the highest Greek sculpture, as but a gentler Zeus, the great
innkeeper; so that when a certain Greek sculptor had failed in his
portraiture of Zeus, because it had too little hilarity, too little,
in the eyes and brow, of the open and cheerful sky, he only changed
its title, and the thing passed excellently, with its heavy locks and
shadowy eyebrows, for the god of the dead.


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