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Various

"Punch, or the London Charivari, Volume 100, May 16, 1891"


'Cute JOKIM keeps blending JOE's taps and his own;
Though knowing harsh rumours are rife;
And Brummagem JOE is oft heard to declare,
Their partnership _may_ last for life.
And JOKIM says, "some call Brum JOE a bad chap,
But they'll soon learn to relish the taste of his tap,
And while I may Brummagem JOE call my friend,
I _think_ I shall customers find for our 'Blend.'"
While ho! ho! ho! he'll chuckle and crow;
"What, turn up Brum JOE, my boys? No! no! no!"
* * * * *
OPERATIC NOTES.
_Monday, May 4_.--ZELIE DE LUSSAN's _Carmen_ is about the best when
all the other dear charmers are away, and in the character she will
probably remain in possession of the field, or, rather, "the Garden,"
till the end of the season. The remainder as before, with DEVOYOD
as _Escamillo_. But what has become of the "go" in the _Toreador's_
great song? Where are the double _encores_? Where, indeed, the hearty
applause? Surely it has gone the way of the March in _Faust_, once
so enthusiastically received and cheered to the echo; and now--"March
off!" It is true that, once let a "tuney tune" become vulgarised by
street-musicians, and organic disease would be sufficient to kill it
were it not tortured and ground to death by remorseless hands.


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