And just as this external need of his
has lit in his dark brain the dreadful star called religion, so it has lit
in his hand the only adequate symbol of it: I mean the red flower called
Fire. Fire, the most magic and startling of all material things, is a
thing known only to man and the expression of his sublime externalism. It
embodies all that is human in his hearths and all that is divine on his
altars. It is the most human thing in the world; seen across wastes of
marsh or medleys of forest, it is veritably the purple and golden flag of
the sons of Eve. But there is about this generous and rejoicing thing an
alien and awful quality: the quality of torture. Its presence is life;
its touch is death. Therefore, it is always necessary to have an
intermediary between ourselves and this dreadful deity; to have a priest
to intercede for us with the god of life and death; to send an ambassador
to the fire. That priest is the poker. Made of a material more merciless
and warlike than the other instruments of domesticity, hammered on the
anvil and born itself in the flame, the poker is strong enough to enter
the burning fiery furnace, and, like the holy children, not be consumed.
In this heroic service it is often battered and twisted, but is the more
honourable for it, like any other soldier who has been under fire.
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