The two men, travelling in a
stage-coach alone, beguiled the way by repeating poetry. At last Scott
asked Campbell for something of his own. He replied that there was one
thing he had never printed, full of "drums and trumpets and
blunderbusses and thunder," and that he did not know if there was any
good in it. He then repeated "Hohenlinden." When he had finished, Scott
broke out with,
"But, do you know, that's devilish fine! Why, it's the finest thing
you ever wrote, and it 'must' be printed!"]
[Footnote 6: See p. 31, note 1 [Footnote 1 of Letter 181].]
[Footnote 7: Douglas James William Kinnaird (1788-1830), fifth son of
the seventh Baron Kinnaird, was educated at Eton, Gottingen, and Trinity
College, Cambridge. He was an intimate friend of Hobhouse, with whom he
travelled on the Continent (1813-14), and was in political sympathy. He
represented Bishop's Castle from July, 1819, to March, 1820, but losing
his seat at the general election, did not again attempt to enter
Parliament. He was famous for his "mob dinners," to which Moore probably
refers when he writes to Byron, in an undated letter, of the
"Deipnosophist Kinnaird." He was a partner in the bank of Ransom and
Morland, a member of the committee for managing Drury Lane Theatre,
author of the acting version of 'The Merchant of Bruges, or Beggar's
Bush' (acted at Drury Lane, December 14, 1815), and a member of the
Radical Rota Club.
Kinnaird was Byron's "trusty and trustworthy trustee and banker, and
crown and sheet anchor.
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