A more advanced civilization
produced more incidents, more episodes; the actor and the story-teller
borrowed them. And so the drama grew, little by little, stage by stage.
It is made up of the facts of life, not creations. It took centuries to
develop the Greek drama. It borrowed from preceding ages; it lent to the
ages that came after. Men observe and combine, that is all. So does a
rat.
Y.M. How?
O.M. He observes a smell, he infers a cheese, he seeks and finds. The
astronomer observes this and that; adds his this and that to the
this-and-thats of a hundred predecessors, infers an invisible planet,
seeks it and finds it. The rat gets into a trap; gets out with trouble;
infers that cheese in traps lacks value, and meddles with that trap no
more. The astronomer is very proud of his achievement, the rat is proud
of his. Yet both are machines; they have done machine work, they have
originated nothing, they have no right to be vain; the whole credit
belongs to their Maker. They are entitled to no honors, no praises, no
monuments when they die, no remembrance. One is a complex and elaborate
machine, the other a simple and limited machine, but they are alike in
principle, function, and process, and neither of them works otherwise
than automatically, and neither of them may righteously claim a PERSONAL
superiority or a personal dignity above the other.
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