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Oemler, Marie Conway, 1879-1932

"A Woman Named Smith"

Polycarp's, with the stipulation that they should "forever hang
in the sacred edifice, reminding the brethren of the Cardinal
Virtues of the Christian Religion."
They did hang in the church for a century. Then, when the Ladies'
Missionary Society was helping "do over" the parsonage, a faded
Faith, a dulled Hope, and a fly-specked Charity were transported
thither. Whereupon suit was immediately brought by the donor's
daughter, who averred that the church had lost all right and title
to the paintings by an action directly contrary to her father's
will, and insisted that they should be turned over to herself as
sole heiress. It was a nice little case, and called forth an
imposing array of counsel. Mrs. Scarlett had added a codicil to her
will, leaving _me_ her claim to the three paintings "fraudulently
withheld by the pastor and vestrymen of St. Polycarp's Church."
There was, too, the question of the lot on Lafayette Street, between
Zion Church on the one hand, and the Y.M.C.A. on the other. Both had
tried to buy it; and both had been refused with contumely. Instead,
that nice old lady ran up extra-sized bill-boards. Every time the
Zionist brethren looked out of their side windows of a Sunday, they
had ample opportunity to learn considerable about the art of
advertising on bill-boards.


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