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Oemler, Marie Conway, 1879-1932

"A Woman Named Smith"

Hyndsville was, it seemed, one of those sprawling,
easy-going old Carolina towns that liked plenty of elbow-room and
wasn't particular about architectural order. Hynds House itself was
on the extreme edge of things.
The hack presently stopped before a high iron gate in a waist-high
brick wall with a spiked iron railing on top of it, the whole
overrun with weeds and creepers. Of Hynds House itself one couldn't
see anything but a stack of chimneys above a forest of trees.
The gate creaked and groaned on its rusty hinges; then we were
walking up a weedy, rain-soaked path where untrimmed branches
slapped viciously at our faces, and tough brambles, like snares and
gins, tried to catch our feet. On each side was a jungle. Of a
sudden the path turned, widened into a fairly cleared space; and
Hynds House was before us.
We had expected a fair-sized dwelling-house in its garden. And there
confronted us, glooming under the gray and threatening sky that
seemed the only proper and fitting canopy for it, what looked like a
pile reared in medieval Europe rather than a home in America. Its
stained brick walls, partly covered with ivy and lichens; its
smokeless chimneys; its barred doors; its many shuttered windows,
like blind eyes--all appeared deliberately to thrust aside human
habitancy.


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