I could not prevent her, and I
saw them both go in."
"Do you mean to say that although Zorzi was so badly hurt you did not
have him brought to the house?"
"Of course I proposed that at once," Giovanni answered. "But he said
that he would not leave the furnace."
"That was like him," said old Beroviero.
"He knew what he was doing. It was on that same day that a night boy
told me how he had seen you and Zorzi burying something in the
laboratory the night before you left."
Beroviero started and leaned forward. Giovanni smiled thoughtfully, for
he saw how his father was moved, and he knew that the strongest part of
his story was yet untold.
"It would have been better to leave Paolo Godi's manuscript with me," he
said, in a tone of sympathy. "I grew anxious for its safety as soon as I
knew that Zorzi had charge of it. Yesterday morning I came in again.
Zorzi was sitting on the working-stool, finishing a beautiful beaker of
white glass."
"White glass?" repeated Beroviero in evident surprise. "White glass?
Here?"
"Yes," answered Giovanni, enjoying his triumph. "I pointed out that when
I had last come, there had been no white glass in the furnace. He
answered that as one of the experiments had produced a beautiful red
colour which he thought must be valuable, he had removed the crucible.
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