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Crawford, F. Marion (Francis Marion), 1854-1909

"Marietta A Maid of Venice"

Without a word Zorzi
took his place. While he warmed the end of his blow-pipe at the 'bocca'
he looked to right and left to see where the working-stool and marver
were placed, and to be sure that the few tools he needed were at hand,
the pontil, the 'procello,'--that is, the small elastic tongs for
modelling--and the shears. Piero's apprentice had retired to a distance,
as he had received no special orders, and the workmen hoped that Zorzi
would find himself in difficulty at the moment when he would turn in the
expectation of finding the assistant at his elbow. But Zorzi was used to
helping himself. He pushed his blow-pipe into the melted glass and drew
it out, let it cool a moment and then thrust it in again to take up more
of the stuff.
The men went on with their work, seeming to pay no attention to him, and
Piero turned his back and talked to the foreman in low tones. Only
Giovanni watched, standing far enough back to be out of reach of the
long blow-pipe if Zorzi should unexpectedly swing it to its full length.
Zorzi was confident and unconcerned, though he was fully aware that the
men were watching every movement he made, while pretending not to see.
He knew also that owing to his being partly self-taught he did certain
things in ways of his own.


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