Esterhaz was a gorgeous, if solitary,
residence. Built on a morass far from the busy world, it was the scene
of constant hospitality and great functions. There were two
theatres--one, as I understand the matter, entirely for marionette
shows; the scenery was regarded at the time as excellent. Most of the
operas were sung in Italian by Italian singers; even books of the words
were printed. In short, the opera at the Palace of Esterhaz seems to
have been in no respect very different from the fashionable opera of
to-day. Singers were engaged for a year or a longer period; casual
artists called, and were engaged for one performance or more, and having
been rewarded according to their deserts, passed on their way. Great
personages visited the Prince in state, and were regally entertained,
Haydn everlastingly writing special music. Maria Theresa stayed for
three days in 1773, and thus we get the Empress Theresa symphony in C,
also two operas of sorts, _L'Infidelta Delusa_ and _Philemon and
Baucis_, specially composed for the occasion. What with retinues of
servants bustling about, banquets, balls, hunting-parties, dramas,
operas, concerts, the scene must have always been lively enough--there
can have been nothing of stagnation.
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